Published Works
Interview: Richard Harmon on Final Destination Bloodlines
Cinema to the Letter : March Madness - Best Movie Monsters
Fantastic Fest Review: ‘Animale’
Fantastic Fest Review: ‘Will & Harper’
Fantastic Fest Review: ‘Apartment 7A’
Cinema To The Letter : C For Classic - House on Haunted Hill
Julio Torres' Visionary Problemista
Interview: ‘Land of Bad’ Actor Ricky Whittle
Cinema To The Letter : I For Indie - Eternal Sunshine of the Spotless Mind
20 years later, School of Rock still defines Richard Linklater’s career — and Jack Black’s
Midnight at the Paradise: A Double Date with Destiny
Fathers, Sons and the Great American Sport of Baseball: Bucky F*cking Dent
Saltburn: Calculated, callous, and grotesquely gorgeous
Double Edged Double Bill:
The Monstrous Motherly Antics of Serial Mom and Ma
Reel Talk: The Movie Show - Magic Mike’s Last Dance
Austin Film Fest Review: Daniel’s Gotta Die
Austin Film Fest Review: Who Invited Charlie?
Austin Film Fest Review: Follow Her
My Mixtape’s a Masterpiece —
Disco Dystopia
20 YEARS AGO, DAVID FINCHER MADE HIS MOST UNDERRATED PSYCHOLOGICAL THRILLER
Craig Gillespie’s Mastery of the Weirdo
Austin Film Fest Review: Everything I Ever Wanted to Tell My Daughter About Men
Austin Film Fest Review: Larry Flynt for President
Salem Horror Fest Review: Take Back the Night
The Subversion of The Nice Jewish Girl in Shiva Baby
The Aesthetic Evolution of Tyler, the Creator
